Dream Act 2017 introduced

Jul. 20th, 2017 07:31 pm
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[personal profile] executrix posting in [community profile] thisfinecrew
From United We Dream, info@unitedwedream.org:
The Dream Act of 2017 has been introduced in the Senate to protect DACA recipients. It has four sponsors: Lindsey Graham (R-SC), Dick Durbin (D-IL), Jeff Flake (R-AZ) and Chuck Schumer (D-NY). United We Dream asks for peole to telephone their Attorney General. The number they give is (832) 610-3896.

Their suggested message is "I am calling to ask the Attorney General to come out publicly to defend the DACA program. This program has changed the lives of hundreds of thousands of immigrant youth across the country and it must be protected. I expect my attorney general to support the immigrant community and protect DACA."
rfmcdonald: (Default)
[personal profile] rfmcdonald

  • I have limits as to what I will do to get a great photo. The limits of others may be more elastic, too much so even. VICE warns against this excessive dangerous.

  • Lifehacker shares some quick tips to people looking for obvious signs of a photograph being doctored.

  • These obviously NSFW photos from pre-AIDS New York City by Alvin Baltrop capture the ephemeral scene beautifully.

  • Niko Kallianiotis' photos of small-town Rust Belt Pennsylvania are evocative. I recognize this kind of landscape.

james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll
Previous models set first occupation significantly later. Much earlier and the first humans on the path to Australia would have left footprints in the still-cooling ashes of the Toba eruption.
siderea: (Default)
[personal profile] siderea
Can somebody update me on the present legal status in the US of graphical user interfaces as intellectual property? Am I correct in believing they can't be patented (though the code can be copyrighted)?

What I really want to know: Can I rip off GVoice's old/retired web interface legally? Or more accurately, can I pay somebody else to do it for me with reasonable ability to assure them they won't go to jail or get sued into oblivion for doing it?

To be clear, there are some nifty functional subtleties I'd want to make off with, which I wouldn't even want to bother pretending I came up with on my own. For instance, there's some interesting algorithm for how texts are batched into threads which I haven't entirely reversed engineered, but make a huge difference in readability.
[syndicated profile] womenpaintingwomen_feed

Posted by Alia El-Bermani


We are thrilled to announce our first ever traveling museum exhibition.  Women Painting Women: In Earnest is an exhibition curated by co-founders Alia El-Bermani and Diane Feissel which honors the human spirit and shares the thoughtful and unique vision of 30 contemporary artists who explore the complexity of being a woman today. This exhibition premiers at the Customs House Museum in Clarskville, TN and then travels to the J. Wayne Stark Galleries at Texas A&M University.

Customs House Museum
Clarksville, TN
August 4 - October 2, 2017

J. Wayne Stark Galleries
Texas A & M University, College Station, TX
October 16 - December 31, 2017

Leslie Adams
Jennifer Balkan
Mia Bergeron
Candice Bohannon
Margaret Bowland
Ali Cavanaugh
Aleah Chapin
Rachel Constantine
Ellen Cooper
Kamille Corry
Angela Cunningham
Stephanie Deshpande
Michelle Doll
Ellen Eagle
Zoey Frank
Gabriela Gonzalez Dellosso
Kristy Gordon
Haley Hasler
Felice House
Nancy Hollinghurst
Sylvia Maier
Carmen Mansilla
Karen Offutt
Catherine Prescott
Nicole Santiago
Terry Strickland
Manu Saluja
Alexandra Tyng
Lea Colie Wight
Anna Wypych

From the Curators' Statement 
"Each artist looks beyond the surface of her subject, beyond mere replication of the physical world before her, in search of deeper realities. These artists have found a freedom to avoid voyeuristic depictions of the female form to examine honest and sometimes personal narratives about the struggles and resilience of the indomitable contemporary woman."

82 page color catalog available for purchase
*cover art by Candice Bohannon 


musesfool: wendy watson in a wetsuit with a gun (come at me bro)
[personal profile] musesfool
Dear co-workers:

* I cannot finish your urgent project in a timely fashion if you keep interrupting me to ask when your project is going to be finished! Please stop!

* We have already done Thing based on all your requirements (and with your approval!) last quarter. We can just update it instead of spending so much time trying to come up with a new way to do it (only to come up with basically the exact same Thing). There is no need to spend hours reinventing the wheel!

* You have to decide whether you need a meeting to happen ASAP or if you need everyone involved present, because it's July coming up on August, and half the people you need will be out on vacation at any given moment and I have no control of that.

* I don't want healthy snacks in the vending machine. If I am driven to getting food from it, it's generally because I want Frito Lay corn chips or terrible plasticky cheap chocolate, not some sort of chip made from beans or some kind of granola bar! WTF?

no love,

me

***
rfmcdonald: (Default)
[personal profile] rfmcdonald

  • blogTO notes apartment complexes will soon be rezoned to allow them to host more businesses.

  • Torontoist's Tamara Yelland argues against Matt Gurney's dismissive take that people who can't afford Toronto housing should go.

  • Global News reports on the bidding wars for condo rentals in Toronto.

  • At CBC, Doug George-Kanentiio argues in favour of renaming Ryerson University, perhaps giving it a First Nations name.

  • The Toronto Star's Martin Regg Cohn reflects on his experiences around the world, seeing statues to past regimes taken down.

Marker Sketch of Fritz

Jul. 20th, 2017 01:33 pm
[syndicated profile] gurneyjourney_feed

Posted by James Gurney



Fritz is an autonomous, sentient drone called a "hoverhead" based on the design of a ceratopsian, from Dinotopia: First Flight (1999). Note that his trim is dented and he's missing the chrome ring around his right eye.

For those of you who like to paint old, dented things, the "Dead Vehicle Challenge" is going strong with lots of great entries already. Deadline is the end of the month. Check it out on the Facebook event page.
-----
Get a copy of the expanded edition Dinotopia: First Flight  which has a behind-the-scenes supplement for no extra charge.

wow look at the time

Jul. 20th, 2017 11:00 am
sporky_rat: An Brown Owl from the Bunny Comic  (sca)
[personal profile] sporky_rat

I had no idea who Ed Sheeran was or why there was this giant kerfluffle over him being in Game of Thrones. Now I know who he is and what he looks like and y'know? Those are some adorably round cheeks and cute red hair. He can be eye-candy in Game of Thrones all season long. (No spoilers please, I actually haven't seen season seven yet, I'm just catching up on season six.)

Wow it's been since 29 May when I saw the nutria crossing the road that I last posted. I guess I did dream about posting about KWHSS! I SAW [personal profile] tatterpixie there!!!!! IT WAS AWESOME AND SHE HAD THE BESTEST SCRIBAL SET UP AND NOW I NEED ONE for heraldry, not scribery, because yeah, my art's pretty rough, but I can do straight lines for heraldry. HOWEVER I did get not too bad at painting pre-prints. And I can probably work on making a scroll out of the Mamman embroidery. I'm not a scribe. I'm a herald (even with a H!) but I can learn some stuff! (It will probably take a light board. My drawing skills are not really all that great, mostly because my brain-hand coordination isn't wonderful. Thanks, brain damage!)

KWHSS was SUPER. I got to see a lot of people that I'd wanted to see (and some that I'd only been able to talk to online). I CREATED A SERVICE AMOEBA. IT OOZES AGAIN IN THE DEBATABLE LANDS. AMUCK!
I also went up to Sneferu and told him that he was right and Bruce was wrong. Which yes, it's a big thing. But we do need a ruling on something from Cormac Wreath. Can pantheons be tertiary charges?

I have become the Heraldic Webminister for Gleann Abhann's CoH. I am looking forward to teaching my Ruby deputy all about transferring letters in OSCAR because that means she'll be super ready! We even have figured out a screen-sharing software for that.
Bloodstone Herald has been suggested for Webminister job. Probably because it's like trying to get blood out of a stone to get stuff turned in for that sort of thing. I think I'm going to make a pendant or something with glitter. Glitter vinyl, not actual pouring glitter.

I am considering making myself bookplates for my gaming hardbacks. Brent bought me a new one - 'Horror Adventures'. He also picked up the last part of 'Strange Aeons'. I have all six of them! YAY! But I need to stick nameplates in mine. I have a sticker maker and a lot of time. :D

MASTER CONALL MADE ME A BEAUTIFUL RENDITION OF MY NAME IN CYRILLIC. I can't wait to turn it into an SCA business card. I told a friend that I was looking forward to being one of those 'one name people', like Cher, Bono, those sort of people. I will be Skaia, Herald.

:D

this is great

Jul. 20th, 2017 05:54 pm
sealie: made for me by tardis80 (Default)
[personal profile] sealie
someone commented on The First Thirty Minutes, a H50 TS fusion (which becomes a xo). It's the first time they've read a TS based fic, and they've watched an ep and they're hooked \o/. They asked if I've watched the series or researched it to get teh info?

and I'm like Memory Lane!....

Holy fuck, I watched it, thanks to the mates in the States, when it was televised! Via snail mail, they posted ropey VHS tapes in NTSC format that I watched on my PAL (UK format player), which supposedly was capable of showing USA formatted VHS tapes. The colours were constantly weird and the screen sometimes wandered off the side of the telly.

When the series was cancelled, on a cliff-hanger, I (one of many) called the US and expressed my discontent, and the lady I spoke to was very surprised! We -- the fans there was a lot of unhappy fans -- got a final season, which tied up the loose ends.

AH MEMORIES

(no subject)

Jul. 20th, 2017 11:24 am
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[personal profile] alexseanchai
Belatedly, Maple Syrup Rebellion is up!

Still selling fiction! Don't forget you can get bonus stories from [personal profile] dialecticdreamer if you buy stories from me!

[BLOG] Some Thursday links

Jul. 20th, 2017 09:46 am
rfmcdonald: (Default)
[personal profile] rfmcdonald

  • James Bow considers the idea of Christian privilege.

  • Centauri Dreams reports on the oddities of Ross 128.

  • D-Brief shares Matthew Buckley's proposal that it is possible to make planets out of dark matter.

  • Dead Things reports on the discoveries at Madjedbebe, in northern Australia, suggesting humans arrived 65 thousand years ago.

  • Bruce Dorminey reports on the idea that advanced civilizations may use sunshades to protect their worlds from overheating. (For terraforming purposes, too.)

  • Language Hat notes the struggles of some Scots in coming up with a rationalized spelling for Scots. What of "hert"?

  • The LRB Blog considers the way in which the unlimited power of Henry VIII will be recapitulated post-Brexit by the UK government.

  • Drew Rowsome quite likes the High Park production of King Lear.

  • Starts With A Bang's Ethan Siegel considers the idea that Pluto's moons, including Charon, might be legacies of a giant impact.

  • Unicorn Booty notes the terrible anti-trans "Civil Rights Uniformity Act." Americans, please act.

  • The Volokh Conspiracy considers/u> the perhaps-unique way a sitting American president might be charged with obstruction of justice.

An ode to Susan Duncan

Jul. 20th, 2017 03:29 pm
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[personal profile] marina
I'm finally caught up on this week's Orphan Black!

everything goes under a spoiler cut )
[syndicated profile] muddycolors_feed

Posted by Lauren Panepinto

By Lauren Panepinto
  
I look at a lot of portfolios, and in almost every review, the artist asks me whether their work is suitable for book covers. Sometimes a gorgeous portfolio just doesn't have the "book cover feel" I need to commission them. There's a lot of reasons why a good illustration may not be a good book cover. Remember most of all, a book cover is advertising first, art second. As painful as that simple fact may be to us on the artist side of the spectrum, that fact is undeniable: An "ugly" book cover that is a bestseller is more successful than a "beautiful" one that sells half as many copies. Now of course, those are subjective values, and I'm exaggerating. As an Art Director, one of the main responsibilities I have is to balance the Artist's priority (make a gorgeous portfolio piece) with the Author/Editor's priority (sell books), and that can lead to choices that make business sense but not aesthetic sense (ex: making the type bigger and as a result covering more of the art).

Remember, there are creatives on both sides of this equation. Artists on one, and Authors on the other. And I want to do my best job for both. After all, more books sold means more paying work for both the author and the artist. (And, bonus, it keeps your Art Director employed.)

In most bookstores, you're lucky if you get a cover-out spot, instead of just a spine-out.

Anyway back to the point. A cover sells the book in a way that concept art, interior illustrations, and gaming art really doesn't have to. A good book cover needs to be eye-catching more than it needs to be beautiful, because book covers exist in a highly competitive and overwhelming visual market. A viewer of a table or bookshelf at a bookstore only has half a second tops to scan past a cover, and it's even less on websites.

So what do I look for? (given that skill level is suitable)
—Simple compositions, usually with the Important Thing in the center
Visual Hierarchy, with a strong focal point
—Control of the viewer's eye path thru secondary focal points
—Strong silhouettes and graphic use of negative space (because that reads really well small)

Extra Credit: Depicting common genre checkpoints in a fresh way

Covers need to be visually interesting in thumbnail size too. You don't necessarily need to be able to see exactly what's going on, but your eye is drawn to strong colors, shapes, and silhouettes at this scale.

I think I can probably do a post on each one. I probably should. I already did one on Visual Hierarchy. So let's pick off an easy one, something that I see mishandled in a lot of student and young professional's portfolios: Simple, centered compositions.

Now I'm not talking about compositions that are off-center for a definite compositional reason. Again, if you've nailed the visual hierarchy and eye flow path, then you don't need to center the composition. I'm talking about the off-center for no reason compositions. The ones where, if I ask why the character wasn't centered, I get a shrug at best. At worst, I've heard fresh grads state their teachers told them never to center a character or composition because it was too simple. So I end up seeing a lot of illustrations that just look...mis-cropped. They're not off-center enough to look deliberate. They're just...slightly enough off-center to look like a mistake.

Look I don't want to shame anyone's wishy-washy compositions here, so instead I'm going to show you a whole bunch of covers below that are solidly centered. And I'm going to challenge you, next time you're in a book store, or browsing online, go find an illustrated book cover where the composition isn't centered. Not too easy, is it? And the ones that are off-center, I bet the type takes over the role of center focal point. That's most of the big epic fantasy landscape covers right there.

So the moral of the story is, if you don't have a deliberate reason to have an off-center composition, then just own it. Center that character! Center that planet! Center that giant space slug! (or whatever). Trust me, as I am the one hiring book cover artists all the time. It's not "too easy". It's not "cheating". It's not "playing it safe". When in doubt, just center it.

Jaime Jones

Greg Manchess

Dan Dos Santos

Sam Weber

Victor Mosquera

Richard Anderson

Sam Weber

Dominick Saponaro

Ben Zweifel





No good very bad day

Jul. 19th, 2017 10:19 pm
gwyn: (8ball wizzicons)
[personal profile] gwyn
Today's my least favorite day once again. The date I lost Miss Olive two years ago, and I'm not over it--I think about her every day, and miss her, especially now. I could really use her soft, soft fur and sweet purrs and funny little voice when she talked to me all the time. And it's the day we lost Sandy, which I'm never gonna be over, either. With Vividcon ending next year it feels even more like losing Sandy all over again.

Basically July 19 is just a terrible horrible no good very bad day.

I'm trying to get things done in anticipation of the surgery and whatnot, but it's really hard. Not only is there a lot to do, the bills are starting to come in, and I'm getting really depressed about it. I haven't had enough work so far this year, but even though I suddenly have a bunch of stuff coming in, it's not going to be paid for a while yet. Even with the ACA still hanging on, this country is majorly fucked up about health care costs, and it's pretty easy to go bankrupt even with insurance.

Last night we went to see the documentary Score, about composing music for films, at this teeeny local theatre that was the first art house in Seattle way back in the '60s. I hadn't known it was still in business--it's run by vounteers now, and the lobby is now a restaurant so the actual theatre is about one-tenth the size it used to be. The movie was great--if you have a chance to watch it, you should: there were some really good reminiscences by directors and other composers about some of the legends, and interviews with all kinds of fascinating film composers, plus a glimpse into the process of recording film scores.

My only complaints were one I shared with feochadn, which was that a guy went on and on about King Kong (the first real movie score) being cheesy and stupid, and that the music was the only thing that helped audiences get over the cheesy and stupid, which is utterly, patently false and doesn't understand the audience dynamic at the time the original King Kong was released. And my second gripe was that as they talked about modern scores and unique or avant garde approaches, they interviewed and spent quite a bit of time following the guy who did the utterly forgettable Age of Ultron score instead of spending any time with Henry Jackman, who did the Winter Soldier score, which most people I know still talk about with a certain amount of awe. Especially because I think it would have dovetailed nicely with talking about the "game-changing" soundtrack for the Social Network by Trent Reznor (I'm not one of the people who think it was game-changing, but whatever), and they did talk to Henry Jackman, but only for a microscopically short time. Plus, they didn't list Winter Soldier in his credits, and that was…weird to me. And it's not my own blind prejudice for anything related to Winter Soldier--I've read so many people talking about the amazing things he did with that score, especially regarding the Soldier himself, and it just seems like a huge missed opportunity in the modern section…and instead we got fucking Ultron. I'd defy anyone to remember anything unique or special about the music in that movie. But I still definitely recommend seeing Score if you can, and stay for the credits and James Cameron's dicussion of James Horner's score for Titanic. (It's in a couple cities right now, and rolling around other parts of the country for the next few months--you can find out where on the web site linked above.)

I wish I knew how you find a therapist. I am very lonely and depressed, and there's no one to talk to here, but I just don't know how you go about finding someone you mesh with, and who's competent, and one you can afford (the importance of either can be switched). I mean, I've met some truly shitty people in RL who I find out later are therapists and it's like O.o so the idea of going into this cold doesn't thrill me.

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